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National Symphony Orchestra Cuts Season in Half After Kennedy Center Closure

The 95-year-old ensemble is playing in six different venues around the D.C. region after losing its home, with ticket revenue projected to drop by 50%.

By Rosa Wojcik ·

Illustration for: National Symphony Orchestra Cuts Season in Half After Kennedy Center Closure
Illustration generated for this article, not a news photograph.

The National Symphony Orchestra is cutting its 2026-27 season by half after the John F. Kennedy Center for the Performing Arts locked its doors on Sept. 15. The closure leaves the 95-year-old ensemble without its primary home, forcing it to perform in six alternative venues across the greater Washington, D.C. region. The move comes after months of declining ticket sales, boycotts, and a federal legal battle over the addition of President Trump's name to the center's facade.

Trump took control of the center in early 2025 following the dismissal of board members and president Deborah Rutter. The Kennedy Center has housed the National Symphony Orchestra since the complex opened in 1971. Music director Gianandrea Noseda, who has led the group for nine years, described the closure as a "cold shower." He extended his contract through 2031 rather than seeking a new position, stating that leaving would have been "a little bit too easy" and potentially "cowardly."

The orchestra announced its new season in mid-August, only 11 days before its opening concert. This late announcement was due to delays in budget approval from the Kennedy Center Board of Trustees. The season launched on Sept. 26 at the Music Center at Strathmore in Bethesda, Md., featuring new works by Carlos Simon alongside pieces by Tchaikovsky and Respighi. Anne Midgette, a former classical music critic for The Washington Post, called the opening night "wonderful but very bittersweet." She noted that a major city orchestra performing outside its traditional hall is a rare occurrence.

Financial pressures are mounting. The Washington Post reported in August that ticket revenue is expected to fall by approximately 50% and donations by a quarter. These cuts are partly attributed to massive reductions in the Kennedy Center's development department. The orchestra also lost key staff, including executive director Jean Davidson, who resigned in March citing the turmoil at the center. Rick Barber, the associate principal double bassist who joined the group in 1995, described the months following the closure as a period of "anxiety," though he said he remains focused on the music.

Noseda plans to reach new audiences in different locations. He views the displacement as an opportunity to see the "glass half full." The orchestra will play approximately half as many concerts as usual this year. Audiences in Bethesda packed the hall for the opening night, roaring with approval. Midgette called the season a "real acid test" for how invested the public remains in the ensemble.

The National Symphony Orchestra is one of many symphonies facing financial strain. The Phoenix Symphony recently shut down, part of a national trend driven by high ticket costs and travel expenses. Midgette noted that the simple reality of buying a ticket and getting to a concert is more challenging when gas and grocery prices are high. It remains unclear how long the National Symphony Orchestra will stay out of the Kennedy Center.

The orchestra's survival depends on whether audiences and donors return. Noseda believes the music can still bring people together despite the challenges. The upcoming concerts will determine if the ensemble can maintain its identity while operating from multiple temporary homes.

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